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Gorod - Aethra - Promo Photo

Gorod Deliver Lyric Video For Title Track From “Aethra”

The technical death visionaries in Gorod are releasing Aethra on October 19 via Overpowered Records, and it is a crushing release that brims with sonic intensity. They have now released a lyric video for the album’s title track. Vocalist Julien Deyres writes: “Aethra” refers precisely to the complexity of naming, especially when it comes to distant entities both in space

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Burn the Priest - Legion XX - Cover

Music Video: Burn The Priest, “Jesus Built My Hotrod”

I’m so glad my boys in Lamb of God put out Legion: XX.  I got to see Burn The Priest perform at The Stone Pony in Asbury Park about a million years ago and I had no idea who they were.  It was one of the first metal performances I can remember where I thought “god damn, this is fucking heavy.”  To this day

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Tengger Cavalry Live Photos From Saint Vitus in Brooklyn, NY

Music Video: Tengger Cavalry, “Chasing My Horse”

Tengger Cavalry are anomalies in the metal world, and if you are a regular reader of our site, you surely know why. Bridging the gap between Mongolian folk music and heavy metal, they deliver a sonic amalgam unlike any other band out there. The infusion of the past and present results in a forward-thinking sound, and Tengger Cavalary‘s 2018 release

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Suicidal Tendencies - STill Cyco - Cover

Album Review: Suicidal Tendencies, “STill Cyco Punk After All These Years”

Suicidal Tendencies have carved their legacy by doing their own thing. Led by Mike Muir, they have become synonymous with Venice Beach and skate punk music, at least initially. Even today, they still maintain similarities to their earlier work. STill Cyco Punk After All These Years is a re-imagined piece of work which first came out in 1995. A solo

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Mantar - The Modern Age of Setting Ablaze - Album Review - Cover

Album Review: Mantar, “The Modern Age Of Setting Ablaze”

Germany’s Mantar will return with their latest release, The Modern Art of Setting Ablaze, on August 24 via Nuclear Blast Entertainment. This is the third studio album for musicians Hanno Klaenhardt and Erinc Sakaryaand, and they have performed at Roadburn, Wacken Open Air, and Maryland Deathfest. Mantar are described as black metal doom punk, and their unusual concoction of sound works

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Devildriver - Outlaws til the End - Cover

Devildriver: “Outlaws ‘Til The End Vol. 1″ Album Review

Despite several lineup changes over the years, Devildriver continue to lay down the bludgeoning, as witnessed on their last release, Trust No One. When they announced a cover album of all outlaw country, my first thought wasn’t positive. This combination just doesn’t seem to work in my mind. Pedal steel and blast beats?  Hmm … Well, I am happy to

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The Future Of Metal Is Here

We recently pondered the future of stadium-sized metal, given the impending exit of Slayer and the aging mega-bands like Metallica and Iron Maiden (read it here). Well, friends, the question of who will take over the throne is being answered night after night on Slayer‘s farewell tour. The answer is Lamb of God. When Randy Blythe and company took the stage

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Burn the Priest - Legion XX - Cover

Burn The Priest: “Legion: XX” Album Review

Lamb of God have pulled out all the stops on their blistering album saluting their biggest influences. They have assumed the identity of their original name, Burn The Priest, to hearken back to the days when these bands played a pivotal role in molding what has become one of biggest metal machines in the world. Legion: XX makes it clear

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Devildriver - Promo - 2018

Devildriver Release Teaser For “Outlaws ‘Til The End”

Heavy metal and country music have intersected on many occasions, with prominent artist like Hank Williams III, Phil Anselmo, and David Vincent espousing their love for both genres. The latest to echo this sentiment are Devildriver who have enlisted Lamb of God’s Randy Blythe, Fear Factory’s Burton C. Bell, Hank3, John Carter Cash, and more for Outlaws ‘Til the End which will be released

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The Future Of Metal Is Here

We recently pondered the future of stadium-sized metal, given the impending exit of Slayer and the aging mega-bands like Metallica and Iron Maiden (read it