Death Yell emerged as a South American force of blackened death metal in the late ’80s only to abruptly dissolve in the early ’90s leaving behind a demo, Vengeance from Darkness. Praise be to Hades they are back and are releasing a proper studio debut, Descent into Hell, this week on Hells Headbangers. King Rhino recently reviewed the album, and he jumped at
I was on my second listen of the new album by Nashville, Tennessee’s Hogan’s Goat when I immediately reached out to their “people” and asked for the chance to do an interview with them. Responding quickly and excitedly, their “people” hooked me up with the chance to speak with vocalist, John Salmon. (Thank you, Tom George!) What I got was a
Innovation in metal is hit or miss, even in these modern times. Most death metal sounds like, well, death metal; thrash recalls like the beer-crushing ’80s; and black metallers take grim corpse paint to such extremes, at times their appearances border on that of sad clowns. Tengger Cavalry is an anomaly. Their ability to bridge the past, present, and future
True to the doom genre, North Dakota’s Egypt have been on a slow burn lately, and they are threatening to burst into flames. Formed in 2003, they released their first full-length, Become the Sun (Review), in 2013, and continued to pick up steam with 2015’s Endless Flight (Review). Now, the band has released Cracks and Lines (Review), a five-song EP
Skullsnbones.com got the chance to interview Gui Haunting of the heavy-as-hell French band Skelethal about their recent release, Of the Depths… Read and enjoy! (Ed – Or better yet, scroll to the bottom, crank up a full album stream of Of the Depths…, and listen while you read!) Gentlemen. Congratulations on the new album, Of the Depths…! It’s an absolute monster of
Fuck … Fuck … FUCK! OK, I am a nervous freakin’ wreck. I have interviewed Chuck Billy of Testament, Don Tardy of Obituary, and Richard Christie of Charred Walls of the Damned, but now I am about to talk with Bill Moseley and Phil Anselmo. Bill Moseley. Texas Chainsaw Massacre 2, House of 1,000 Corpses, The Devil’s Rejects, Repo: The Genetic Opera, The Devil’s Carnival – he
In a recent review I wrote for the almighty SkullsNBones (read it here), I gave high kudos to the new album from Fit For An Autopsy, The Great Collapse. In fact, I believe saying that this record should break these guys into the next level. It’s that killer. So, when I had the chance to talk with their guitarist, Patrick Sheridan,
Obituary. They are to death metal what Dr. Dre and Snoop Dogg are to rap. OG. Original motherfucking gangsters. Obituary are a “ground zero” band for the sound that is Florida death metal. No one quite knows why Florida became the birthplace of of the genre. It might explain why tens of thousands of old people head there to live out their
Tearing their way out of Brisbane Australia and ready to take the metal world by the balls with the release of Xenocide, Aversions Crown are about to make a name for themselves around the world. Xenocide is a monster of an album that never lets up. King Rhino recently had the chance to ask guitarist Chris Cougan some questions via the Internet
I recently had the pleasure of speaking with Grant MacKenzie of Toronto’s Jupiter Hollow. I have gone on at great length about my love of their latest EP, Odyssey, Io to spend some time with MacKenzie (and, eventually Kenny Parry) was a great chance to talk all things Jupiter Hollow and Canadian. Enjoy our totally cool Skype session! Thanks for spending some
Death Yell emerged as a South American force of blackened death metal in the late ’80s only to abruptly dissolve in the early ’90s leaving
I was on my second listen of the new album by Nashville, Tennessee’s Hogan’s Goat when I immediately reached out to their “people” and asked for
Innovation in metal is hit or miss, even in these modern times. Most death metal sounds like, well, death metal; thrash recalls like the beer-crushing
True to the doom genre, North Dakota’s Egypt have been on a slow burn lately, and they are threatening to burst into flames. Formed in
Skullsnbones.com got the chance to interview Gui Haunting of the heavy-as-hell French band Skelethal about their recent release, Of the Depths… Read and enjoy! (Ed –
Fuck … Fuck … FUCK! OK, I am a nervous freakin’ wreck. I have interviewed Chuck Billy of Testament, Don Tardy of Obituary, and Richard
In a recent review I wrote for the almighty SkullsNBones (read it here), I gave high kudos to the new album from Fit For An Autopsy,
Obituary. They are to death metal what Dr. Dre and Snoop Dogg are to rap. OG. Original motherfucking gangsters. Obituary are a “ground zero” band for
Tearing their way out of Brisbane Australia and ready to take the metal world by the balls with the release of Xenocide, Aversions Crown are about
I recently had the pleasure of speaking with Grant MacKenzie of Toronto’s Jupiter Hollow. I have gone on at great length about my love of
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