The eighth installment of 70,000 Tons of Metal will depart from Fort Lauderdale in less than three months, and to say we are excited would be an understatement. With 60 metal acts and more than 100 performances, the high seas will be banging. But this excitement isn’t limited to us. The musicians are clearly ready to board the boat. As
In early February, 3,000 metalheads (include photographer Jason Carlson and me) and 60 bands will board the Independence of the Seas for an epic journey from St. Augustine, Florida, to Grand Turk in the Bahamas. To say we are excited about the 120 performances that will take place on the 70,000 Tons of Metal cruise is an understatement. In fact,
Bruce Corbitt is the legendary lead vocalist of Rigor Mortis and Warbeast, and he is one of the greatest voices in metal. To find out that the universe, in all her glorious bitchiness, has given this man throat cancer is a major fucking disgrace. Fortunately, Corbitt was able to finish the latest – and possible last – Warbeast album, Enter
Death Yell emerged as a South American force of blackened death metal in the late ’80s only to abruptly dissolve in the early ’90s leaving behind a demo, Vengeance from Darkness. Praise be to Hades they are back and are releasing a proper studio debut, Descent into Hell, this week on Hells Headbangers. King Rhino recently reviewed the album, and he jumped at
I was on my second listen of the new album by Nashville, Tennessee’s Hogan’s Goat when I immediately reached out to their “people” and asked for the chance to do an interview with them. Responding quickly and excitedly, their “people” hooked me up with the chance to speak with vocalist, John Salmon. (Thank you, Tom George!) What I got was a
Innovation in metal is hit or miss, even in these modern times. Most death metal sounds like, well, death metal; thrash recalls like the beer-crushing ’80s; and black metallers take grim corpse paint to such extremes, at times their appearances border on that of sad clowns. Tengger Cavalry is an anomaly. Their ability to bridge the past, present, and future
True to the doom genre, North Dakota’s Egypt have been on a slow burn lately, and they are threatening to burst into flames. Formed in 2003, they released their first full-length, Become the Sun (Review), in 2013, and continued to pick up steam with 2015’s Endless Flight (Review). Now, the band has released Cracks and Lines (Review), a five-song EP
Skullsnbones.com got the chance to interview Gui Haunting of the heavy-as-hell French band Skelethal about their recent release, Of the Depths… Read and enjoy! (Ed – Or better yet, scroll to the bottom, crank up a full album stream of Of the Depths…, and listen while you read!) Gentlemen. Congratulations on the new album, Of the Depths…! It’s an absolute monster of
Fuck … Fuck … FUCK! OK, I am a nervous freakin’ wreck. I have interviewed Chuck Billy of Testament, Don Tardy of Obituary, and Richard Christie of Charred Walls of the Damned, but now I am about to talk with Bill Moseley and Phil Anselmo. Bill Moseley. Texas Chainsaw Massacre 2, House of 1,000 Corpses, The Devil’s Rejects, Repo: The Genetic Opera, The Devil’s Carnival – he
In a recent review I wrote for the almighty SkullsNBones (read it here), I gave high kudos to the new album from Fit For An Autopsy, The Great Collapse. In fact, I believe saying that this record should break these guys into the next level. It’s that killer. So, when I had the chance to talk with their guitarist, Patrick Sheridan,
The eighth installment of 70,000 Tons of Metal will depart from Fort Lauderdale in less than three months, and to say we are excited would
In early February, 3,000 metalheads (include photographer Jason Carlson and me) and 60 bands will board the Independence of the Seas for an epic journey
Bruce Corbitt is the legendary lead vocalist of Rigor Mortis and Warbeast, and he is one of the greatest voices in metal. To find out
Death Yell emerged as a South American force of blackened death metal in the late ’80s only to abruptly dissolve in the early ’90s leaving
I was on my second listen of the new album by Nashville, Tennessee’s Hogan’s Goat when I immediately reached out to their “people” and asked for
Innovation in metal is hit or miss, even in these modern times. Most death metal sounds like, well, death metal; thrash recalls like the beer-crushing
True to the doom genre, North Dakota’s Egypt have been on a slow burn lately, and they are threatening to burst into flames. Formed in
Skullsnbones.com got the chance to interview Gui Haunting of the heavy-as-hell French band Skelethal about their recent release, Of the Depths… Read and enjoy! (Ed –
Fuck … Fuck … FUCK! OK, I am a nervous freakin’ wreck. I have interviewed Chuck Billy of Testament, Don Tardy of Obituary, and Richard
In a recent review I wrote for the almighty SkullsNBones (read it here), I gave high kudos to the new album from Fit For An Autopsy,
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